piano Archives - JAZZ IMPRESSIONS

Routes: A Jazz Impressions Podcast – Episode 11 (A Mildly Festive Special)

Grab your winter coat and koto, we’re back with a slightly seasonal special! In this episode, we chart floral and festive paths from the library music-inspired serenity of Sven Wunder’s ‘Snowdrops’, to Roland Kirk’s honktacular rendering of ‘We Free Kings’. En route we take in hip-hop, Japanese jazz and even some Christmas music, plus a brief rundown of some of our favourite albums of the year. Stay tuned as we get cooking again in 2024.

You can also find us on Spotify, Apple or wherever you get your podcasts!

Tracklists below (SPOILERS!)

Routes: A Jazz Impressions Podcast – Episode 8

We’re back! After a busy period of new jobs, new musical projects and new strains of Covid, we reconnect and rejoin the dots between two more of our favourite tracks. In this episode, we pay tribute to the late, great MF Doom, the metal-faced enigma we lost on Halloween 2020. But what connects the supervillain to ‘70s funk supremos the Ohio Players? What’s Cole Porter got to do with Giorgio Moroder? And where does an Anglo-Trakehner stallion fit into all this? Get your Gazzillion Ears round episode 8 to find out.

Find us on Spotify, Apple or wherever you get your podcasts!

Tracklists below (SPOILERS!)

Routes: A Jazz Impressions Podcast – Episode 6

In this tribute episode, we join the dots between Stanley Cowell’s heartfelt composition ‘Sienna: Welcome My Darling’ and Chick Corea’s swirling, impressionistic ‘Litha’. Plus we delve into Sweden, beekeeping and the discography of L. Ron Hubbard – and be sure to listen out for Ollie’s uncanny impression of a shakuhachi.

Also available on Spotify, Apple or wherever you get your podcasts!

Tracklists below (SPOILERS!)

George Duke – Peace

Our last post looked at Billy Cobham’s fusion classic ‘Heather’ from his album Crosswinds (1974) which featured the mellow tones of keyboardist George Duke. Flashing back a couple of years earlier to January 1971, a young George Duke had just left Frank Zappa’s group The Mothers Of Invention and joined saxophonist Cannonball Adderley’s new quintet, replacing pianist Joe Zawinul. The months that followed would prove formative for this young pianist and in this year he recorded two albums: Solus and The Inner Source, originally intended to be two separate albums but were later merged, released on German jazz label MPS in 1973.

The Keith Jarrett Trio – Endless

Here’s a fun musical connection: the pianist Keith Jarrett sued Steely Dan over similarities between ‘Gaucho’ (1980) and his track ‘Long As You Know You’re Living Yours’ from the album Belonging (1974). Walter Becker and Donald Fagen acknowledged the influence and officially credited Jarrett, admitting: “Hell, we steal. We’re the robber barons of rock ‘n’ roll.”

The Horace Silver Quintet – Song For My Father

In October 1963, coinciding with the recent release of his debut album as leader on Blue Note, a young Joe Henderson was scouted by influential pianist Horace Silver to play in a new quintet he was putting together. From the sessions which followed came Song For My Father (1965), Silver’s most famous album and a bona fide Blue Note classic.

Alice Coltrane – Blue Nile

One of the artists mentioned in the previous post was multi-instrumentalist Alice Coltrane who plays both piano and harp on Joe Henderson’s elemental offering ‘Fire’. This wasn’t their first musical collaboration as they had already worked together on her own cosmic masterpiece, Ptah, The El Daoud, recorded at the Coltrane’s home studio in 1970 and released on Impulse! records.

Pharoah Sanders – Greeting To Saud (Brother McCoy Tyner)

To mark the recent passing of pianist McCoy Tyner, the subject of our last post, the track for today is ‘Greeting To Saud (Brother McCoy Tyner)’ from the live album Elevation by tenor saxophonist Pharoah Sanders, released in 1974 on Impulse! records.

McCoy Tyner – Valley Of Life

Today we pay tribute to McCoy Tyner, whose work from the 1950s right up until his death earlier this month made him “the most influential pianist-composer in modern jazz,” according to the Penguin Jazz Guide. Best known for his work in John Coltrane’s legendary quartet, Tyner was an extraordinary artist in his own right, recording countless classic albums for the likes of Impulse!, Blue Note and Milestone.

Duke Ellington – Blue Pepper (Far East of the Blues)

The last post looked at Duke Ellington’s album Money Jungle, a meeting of three of the greatest minds in jazz. We continue our journey with Ellington, this time looking at how he turned to the East for inspiration for his 1967 album, Far East Suite.