percussive Archives - JAZZ IMPRESSIONS

Routes: A Jazz Impressions Podcast – Episode 10

In our bumper anniversary 10th edition we pay tribute to two jazz giants: percussion legend James Mtume and vibes wizard Khan Jamal. But which route best connects them? Via the West Coast, or the astral plane? Dan travels through time and Ollie through space, on a cosmic journey that passes Philly, pharaohs and psychedelic beanies.

Thanks for indulging us for 10 episodes, and stay tuned for more astral traveling this year. Roads? Where we’re going, we only need Rhodes.

You can also find us on Spotify, Apple or wherever you get your podcasts!

Tracklists below (SPOILERS!)

Cannonball Adderley – The Black Messiah

The year before pianist George Duke featured on Frank Zappa’s The Grand Wazoo, he recorded two solo albums and spent the best part of the year playing in the Cannonball Adderley Quintet. If Zappa was Duke’s mentor in all things rock, Cannonball was his teacher in jazz and soul. Joining Adderley’s Quintet gave the young Duke an opportunity to develop not only as a performer, but also as a composer and arranger. In the summer of 1971, Cannonball and his band recorded a live album at The Troubadour club in West Hollywood, Los Angeles. The album was named after its title track, a composition by Duke, and was released later that year as a double album on Capitol Records.

The Horace Silver Quintet – Song For My Father

In October 1963, coinciding with the recent release of his debut album as leader on Blue Note, a young Joe Henderson was scouted by influential pianist Horace Silver to play in a new quintet he was putting together. From the sessions which followed came Song For My Father (1965), Silver’s most famous album and a bona fide Blue Note classic.