live Archives - JAZZ IMPRESSIONS

Routes: A Jazz Impressions Podcast – Episode 9

We take flight in Episode 9 with two classic live cuts: Joe Henderson’s ‘Junk Blues’ and Don Pullen & George Adams’ ‘Saturday Night In The Cosmos’. But what’s the best route? Via Italy and Japan? Or as the crow flies? Ornithophobics need not apply. Thanks for all your support in this first year of the podcast and stay tuned for more Routes in the new year. Keep watching the skies!

Also available on Spotify, Apple or wherever you get your podcasts.

Tracklists below (SPOILERS!)

Routes: A Jazz Impressions Podcast – Episode 8

We’re back! After a busy period of new jobs, new musical projects and new strains of Covid, we reconnect and rejoin the dots between two more of our favourite tracks. In this episode, we pay tribute to the late, great MF Doom, the metal-faced enigma we lost on Halloween 2020. But what connects the supervillain to ‘70s funk supremos the Ohio Players? What’s Cole Porter got to do with Giorgio Moroder? And where does an Anglo-Trakehner stallion fit into all this? Get your Gazzillion Ears round episode 8 to find out.

Find us on Spotify, Apple or wherever you get your podcasts!

Tracklists below (SPOILERS!)

Routes: A Jazz Impressions Podcast – Episode 3

Episode 3 of Routes: A Jazz Impressions Podcast features a pair of classic tracks from a duo of Detroit jazz legends. Along the way we discuss kalimbas, the history of Strata East Records and Slugs’ Saloon in New York, as well as the historic Fillmore West and the San Francisco hippie scene.

Also available on Soundcloud, Spotify, Apple or wherever you get your podcasts!

Tracklists below (SPOILERS!)

Cannonball Adderley – The Black Messiah

The year before pianist George Duke featured on Frank Zappa’s The Grand Wazoo, he recorded two solo albums and spent the best part of the year playing in the Cannonball Adderley Quintet. If Zappa was Duke’s mentor in all things rock, Cannonball was his teacher in jazz and soul. Joining Adderley’s Quintet gave the young Duke an opportunity to develop not only as a performer, but also as a composer and arranger. In the summer of 1971, Cannonball and his band recorded a live album at The Troubadour club in West Hollywood, Los Angeles. The album was named after its title track, a composition by Duke, and was released later that year as a double album on Capitol Records.

The Keith Jarrett Trio – Endless

Here’s a fun musical connection: the pianist Keith Jarrett sued Steely Dan over similarities between ‘Gaucho’ (1980) and his track ‘Long As You Know You’re Living Yours’ from the album Belonging (1974). Walter Becker and Donald Fagen acknowledged the influence and officially credited Jarrett, admitting: “Hell, we steal. We’re the robber barons of rock ‘n’ roll.”

Archie Shepp – Le Matin des Noire

1965 was a busy year for the young Bobby Hutcherson, releasing his first album as leader (Blue Note’s Dialogue) and joining the Archie Shepp Quartet, a group at the vanguard of the “New Thing”. Free jazz relinquished the restrictions of song form in order to better express oneself musically, and for Shepp, politically.

The Ahmad Jamal Trio – Bogota

Immediately following The Awakening, the great Ahmad Jamal moves to Rhodes -as in the electric piano, not the place. The location is the Montreux Jazz Festival, and the 1972 release Outertimeinnerspace is another perfect album; arguably an easier achievement with only two tracks (further performances from this date appear on Freeflight, also on Impulse!), each comprising an entire side of the LP.