jazz fusion Archives - Page 2 of 2

Miles Davis – Rated X

Two years after Miles released On The Corner came his album Get Up With It (1974) on Columbia Records, marking the end of a seven year period of electric jazz experimentation. This was a compilation album of songs Davis recorded between 1970 and 1974, many of which were part of the sessions for his earlier albums Jack Johnson (1971) and On The Corner (1972).

Miles Davis – Black Satin

Following on from Herbie Hancock’s jazz-robotics on ‘Rain Dance‘, we turn to another album that was Miles ahead of its time, and features three of the musicians who would go on to appear on Sextant: Herbie Hancock (keys), Bennie Maupin (bass clarinet) and Billy Hart (drums).

Herbie Hancock – Rain Dance

Happy International Jazz Day 2020! After a spell of beautiful spring sunshine, the British weather has gone back to its usual rainy habits. What better way therefore to celebrate with another Herbie track released a couple of years prior to his funky ‘Hang Up Your Hang Ups’.

Devadip Carlos Santana – Love Theme From “Spartacus”

Our last post focussed on Santana’s heady fusion offering ‘Going Home’. Now we fast-forward eight years to an underrated gem of the Santana catalogue, his version of Alex North’s ‘Love Theme From “Spartacus”‘ from his 1980 album The Swing Of Delight.

Miles Davis – Bitches Brew

Who better to lead us into the weird world of Miles Davis than his biographer, Ian Carr? We heard his electric Miles-inspired jazz-rock on ‘Torrid Zone’, and Bitches Brew (1970) is more or less fusion ground zero. Influenced by the music of Jimi Hendrix – and pissed off that rock stars were making more money than him without the musical ability – Davis mixed the aggression of rock with the most experimental aspects of jazz to create an album that sounded like neither genre, producing something closer to alien funk.

Nucleus – Torrid Zone

The year before The Ahmad Jamal Trio performed their composition ‘Bogota’ at the Montreux Jazz Festival in Switzerland, a small group of British musicians by the name of Nucleus showcased compositions which pioneered a new sound, one that blended jazz with influences from rock and funk, now defined as ‘jazz-rock’ or ‘fusion’. This radical new approach to jazz saw the group win first prize at the festival and was responsible, along with a few other notable albums, in ushering jazz away from the modal and post-bop sounds of the 60s and into the psychedelic, funky fusion of the 70s.

The Last Electro-Acoustic Space Jazz & Percussion Ensemble – Mystic Voyage (For Roy Ayers)

Dan’s last post focussed on Bill Evans’ version of ‘Theme From “Spartacus”‘ from the album Conversations With Myself where Evans overdubs three piano tracks to create a sort of musical conversation. This idea of overdubbing, specifically within a jazz context, made me think of an album that was released almost 50 years later but adopts a similar approach. That album is Miles Away by The Last Electro-Acoustic Space Jazz & Percussion Ensemble, released on Stones Throw Records in 2010.