Duke Ellington Archives - JAZZ IMPRESSIONS

Routes: A Jazz Impressions Podcast – Episode 7

What links the ambient jazz of Bennie Maupin’s ‘Past + Present = Future’ and the dusty grooves of DJ Krush’s ‘Dig This Vibe’? What is the best soundtrack to getting probed by aliens? And what is the French version of the Mafia? Find out all this and more in this abstract episode of the podcast – along with more of Ollie’s flawless impersonations of instrumental jazz.

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Tracklists below (SPOILERS!)

Steely Dan – Rikki Don’t Lose That Number

Pop fans may be hearing more jazz than they realise. James Brown’s 1967 single ‘Cold Sweat’ is indebted to Miles Davis’ ‘So What’, the opening track on Kind of Blue (1959) – which came full circle when Davis was inspired by Brown’s funky sounds for On the Corner (1972). Van Morrison (who recently became an “antifascist” because he didn’t want to wear a mask) based ‘Moondance’ (1970) on Kenny Burrell’s jazz guitar classic ‘Midnight Blue’ (1963). And the intro of Horace Silver’s ‘Song For My Father’ is lifted verbatim by Steely Dan’s 1974 hit, ‘Rikki Don’t Lose That Number.’

Miles Davis – Rated X

Two years after Miles released On The Corner came his album Get Up With It (1974) on Columbia Records, marking the end of a seven year period of electric jazz experimentation. This was a compilation album of songs Davis recorded between 1970 and 1974, many of which were part of the sessions for his earlier albums Jack Johnson (1971) and On The Corner (1972).

Duke Ellington – Blue Pepper (Far East of the Blues)

The last post looked at Duke Ellington’s album Money Jungle, a meeting of three of the greatest minds in jazz. We continue our journey with Ellington, this time looking at how he turned to the East for inspiration for his 1967 album, Far East Suite.

Duke Ellington – Money Jungle

Our last two posts focused on Max Roach and Charles Mingus, who (along with Mingus’ wife Celia) founded the short-lived Debut Records, designed to bypass the commercialism of major labels. Both musicians had played with the great Duke Ellington, though Mingus’ stint lasted a mere four days before being fired for – you guessed it – fighting.