When people hear the name Santana, depending on their generation they’ll probably either think of the ’60s heyday of ‘Black Magic Woman’ or their turn-of-the-century comeback hits like ‘Smooth’. Arguably though, the band’s most creatively fertile period was in the ’70s, when Carlos and co. were experimenting with jazz, spirituality and collaborating not with pop stars (no offence to Rob Thomas – I like Veronica Mars as much as the next guy) but with such virtuosos as Alice Coltrane and John McLaughlin.
Continue reading “Santana – Going Home”
