Exploring musical connections one track at a time…
In this tribute episode, we join the dots between Stanley Cowell’s heartfelt composition ‘Sienna: Welcome My Darling’ and Chick Corea’s swirling, impressionistic ‘Litha’. Plus we delve into Sweden, beekeeping and the discography of L. Ron Hubbard – and be sure to listen out for Ollie’s uncanny impression of a shakuhachi.
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Continue reading “Routes: A Jazz Impressions Podcast – Episode 6”
One of the many attractive qualities of jazz, more than any other musical genre, is how the same song can be interpreted in many different ways. Whether this is Bill Evans and Yusef Lateef offering their personal takes on a classic soundtrack, or Ahmad Jamal and Bobby Hutcherson reworking a Herbie Hancock original, the musical freedom that underpins jazz allows its musicians to constantly reinvent and offer fresh perspectives on popular classics. In his last post, Dan wrote on guitarist Grant Green’s version of the ballad ‘Lazy Afternoon’. Whilst Green’s version is excellent, the definitive version in my opinion of this well known standard is found on drummer Pete La Roca’s album Basra, released in 1965 on Blue Note.
Continue reading “Pete La Roca – Lazy Afternoon”
Following on from Herbie Hancock’s jazz-robotics on ‘Rain Dance‘, we turn to another album that was Miles ahead of its time, and features three of the musicians who would go on to appear on Sextant: Herbie Hancock (keys), Bennie Maupin (bass clarinet) and Billy Hart (drums).
Continue reading “Miles Davis – Black Satin”