Blue Note Archives - Page 2 of 2

Andrew Hill – MC

Idris Muhammad only recorded one date with the great pianist/composer/teacher Andrew Hill (last heard from on Jazz Impressions on Bobby Hutcherson’s Dialogue (1965)) and it nearly never saw the light of day. Many of Hill’s 1960s Blue Note recordings were shelved by the commercially-minded Alfred Lion and Francis Wolff, and although 1968’s Grass Roots was released at the time, a “first draft” recorded 4 months earlier sat in the vaults until the CD release in 2000. The quality of these unissued sessions tells you as much about Blue Note as the albums they actually released, if not more.

Bobby Hutcherson – Black Heroes

Our last post explored We Insist! Max Roach’s Freedom Now Suite (1960), a pivotal work which set the blueprint for many protest records to follow. Bobby Hutcherson’s album Now!, released on Blue Note in 1970, was one of those records which continued to build on the powerful political and musical statement Roach had made ten years prior.

Duke Ellington – Money Jungle

Our last two posts focused on Max Roach and Charles Mingus, who (along with Mingus’ wife Celia) founded the short-lived Debut Records, designed to bypass the commercialism of major labels. Both musicians had played with the great Duke Ellington, though Mingus’ stint lasted a mere four days before being fired for – you guessed it – fighting.

Jackie McLean – Sweet Love Of Mine

At first glance, it could be easy to mistake Jackie McLean’s album Demon’s Dance as a close sibling of Miles Davis’ Bitches Brew. Both were released in the same year and sport psychedelic cover artwork by Mati Klarwein but the similarity ends there. Whereas Bitches Brew was a mind-bending concoction of jazz, rock and funk, Demon’s Dance is beautiful example of modal hard bop, recorded three years earlier in 1967 and was the last of 21 albums that McLean recorded for Blue Note Records.

Herbie Hancock – Maiden Voyage

Bobby Hutcherson’s version of the oceanic classic ‘Maiden Voyage’ shore is beautiful, but for me the original is unassailable. Concept albums are generally associated with rock music, but Herbie Hancock was one step ahead of The Beatles. Empyrean Isles (1964) is loosely based around Ancient Greek mythology, and Maiden Voyage (1965) is an album about the sea. Bookended by pieces that would become standards, ‘Maiden Voyage’ and ‘Dolphin Dance’, the record even features sea-based poetry as its sleeve notes. You might call them liner notes.

Bobby Hutcherson – Maiden Voyage

In his last post, Dan focussed on the fantastic track ‘Ghetto Lights’ from Bobby Hutcherson’s debut album as leader on Blue Note. Today’s post is another offering from the master of vibes, this time from his third album Happenings (1966) which saw him taking more of a commercial approach in comparison to his previous two albums which were much freer and avant-garde.

Bobby Hutcherson – Ghetto Lights

You just heard Roy Ayers filtered through the psychedelic prism of Madlib, which brings us to the warm and wonderful world of the vibraphone. One of the great masters of the mallets was Bobby Hutcherson, whose sonic and rhythmic sensibilities helped usher in a new era for legendary jazz label Blue Note.